Friday Five: Books read in March

 

1. Iron by Rona Munro (Nick Hern Books) - This play for four actors, mainly concerns a mother daughter relationship as Josie goes to visit her mother, Fay, in prison for the first time in 15 years. Fay is imprisoned for the murder of her husband, Josie's father. Throughout the course of the play, set mainly in the visiting area, the two try to learn about each other, with Fay asking for details of Josie's life in an attempt to live vicariously through her experiences and Josie asking for annecdotes of the childhood she can't remember. Meanwhile the guards interject as all privacy is removed and people question motive and emotion. Fay tells Josie,  “It’s not the zoo, you know, you can’t come in when the fancy takes you and throw me a bun!” The dialogue is grim and brittle with rapid shifts of mood and tone as the playwright questions boundaries and how we would react if we are pushed beyond them. 
2. Outspoken by Father Rod Brown (Ebury Press) - I have a signed copy of this book from when I saw Father Rod speak at the Canberra Readers and Writers Festival in 2019. Rector of Gosforth Parish, Father Rod is most known for putting up billboards with pithy sayings espousing love and tolerance, and denouncing bigotry and hate, 'because justice is always social'. The story begins with his autobiography, and then moves into a call for a discussion about morals and faith, and how he believes they relate to issues such as migrants, marriage equality and the review of child abuse within the church. While holding onto his values, theology, and decency, he rejects much of the Bible-thumping conservatism often equated with Christianity. He is actually the Anglican priest we should welcome into our hearts and homes for thoughtful and rational debate in a space of respect and compassion for all. 
3. The White Cottage Mystery by Margery Allingham (Penguin) - Margery Allingham’s first detective story, published initially as a newspaper serial,is a country house mystery of the type favoured by the Queens of Crime and follows the formula expertly. The blurb on the back summarises, “Seven people might have murdered Eric Crowther, the mysterious recluse who lived in the gaunt house whose shadow fell across the White Cottage. Seven people had good cause. It was not lack of evidence that sent Detective Chief Inspector Challenor and his son Jerry half across Europe to unravel a chaos of clues.” The clues involve people trying to cover their secrets, such as blackmail, homosexuality, adultery, class pretence, and other sins. Attitudes may have changed, but the well-plotted drama and general motivation to keep things hidden remains. As with all Golden Age detective mystery fiction, the crime is treated as something of a game. W.T. muses on the suspects, “They all behave as if they were innocent, and yet each one is hiding something. Each has a motive for killing Crowther, and admits it freely. No sane person would dare to do that unless they felt safe.” It is, of course, baffling to the duo attempting to solve it. The White Cottage Mystery is a gripping, short caper, capable of being consumed in a day, and the fine plotting ensures that everything is neatly tied up with a bow after all. This is highly recommended for fans of the genre.

4. Cat vs Cat: Keeping Peace When You Have More Than One Cat by Pam Johnson-Bennett (Penguin) - This is a practical book full of information about feline dynamics and how to handle them. It covers topics from introducing a new, younger, cat to the household where there is already an established resident (and why you might choose not to do that in the first place) to calming a scared or anxious cat, and the trouble with anthropomorphosising your pet. The main piece of advice is to always give the cat a choice (including plenty of places, on a variety of levels, to hide, if that's what they want) and provide enough resources that the cats don't have to share. This includes food and water bowls, litter trays and human playtime or interaction. Cats will happily curl up to sleep and groom together, but they always need their own space and independence. I respect that.
5. All That I Am by Anna Funder (Peungin) - First published in 2011, this novel about characters involved in left-wing activism in 1930s Germany received stacks of awards in Australia, including the Australian Book Industry Award Book of the Year. The author is Australian. The four main characters are forced to flee Munich and become exiles in London. Based on real people, the fictionalised version of their lives seems simultaneously sanitised and dramatised for clearer narrative. Justifiable paranoia and a sense of betrayal afflict the remaining members of the once tight-knit group who narrate their stories in alternate chapters from Sydney and New York. It's gripping with elements of secrecy and espionage with a high sense of danger. Of course I was far too contrary to read it when it was on everyone's book pile, and more than ten years on, I wonder if it still meets all the hype.

Fishing for Compliments

The Princess Diarist by Carrie Fisher

(Bantam Press)

Pp. 251

This book was published shortly before Carrie Fisher died, which gives much of it added poignancy. It is mainly about her experience filming Star Wars; her youth and her inability to deal with unanticipated fame; her affair with Harrison Ford; her reaction to the conventions; and her irritation at being expected to still look the same now as she did then. The book is not particularly well-written, but it is honest and candid – the inclusion of her diaries and poetry written during the filming of Star Wars is a brave move – and ultimately very readable.

No one was prepared for the reception that Star Wars would receive. Her life was changed forever by the film refused to remain on screen. She was defined by one character with whom she has a love/hate relationship. “I had never been Princess Leia before and now I would be her forever. I would never not be Princess Leia. I had no idea how profoundly true that was and how long forever was.”

She writes with attempted nonchalance and sangfroid and is candid about her own drug addiction. Her style is deliberately self-effacing and jocular in tone, and although she presents her thoughts as raw and elemental, she has clearly polished the words into something she imagines is witty. There are a few insights into the behind-the-scenes goings-on during filming (such as the fact that due to her grimacing each time she fired the laser gun, she had to take shooting lessons from the man who prepared Robert De Niro for his role in Taxi Driver), but film geeks will probably know all of these already.

Her renowned advocacy for gender equality is evident and she had crippling anxiety about her looks, relating that she got the part in Star Wars on the proviso that she would lose ten pounds. But she also confesses she enjoyed the one-sided nature of the film, and to loving the male attention that came from being “the only girl in an all-boy fantasy.”

The main thing to emerge from this book, however, is her affair with Harrison Ford. She mockingly refers to their relationship as ‘Carrison’ and, although it comprises over half of the book, she pretends to dismiss it; forty years afterwards, she still tries to downplay it, which conversely gives it excessive importance. Obviously, this is one-sided account, but Harrison Ford doesn’t present very favourably. He seems like a predator from the first time he takes her home drunk from a cast and crew party. She was young and naïve, and he was careless of her sensitivities and her desperate neediness. She fixated on him like a smitten teenager.

He doesn’t talk to her, make her happy or feel good about herself, and he exacerbates her insecurities and anxiety. It seems that he is cold towards her, but perhaps that is just his nature? She records in her diary, “I act like someone in a bomb shelter trying to raise everyone’s spirits.” While it is brave to include the diaries and gauche poems, they are excruciatingly painful to read. Every teenage girl has written self-indulgent nonsense like this, but not always about Harrison Ford. One could argue that she knew the situation – he was married – but she tries to manipulate the reader into feeling sympathy for her.

She concludes with her feelings towards the fans at Star Wars conventions, and it is clear that she is not comfortable with the entire charade. It’s fair to say that Carrie Fisher’s relationship with Princess Leia and Star Wars in general, is both complex and unresolved, which is distressing as it will now forever remain that way.