Tuesday, 20 February 2024

Prison Performance: Mad Blood Stirring


Mad Blood Stirring by Simon Mayo
Doubleday
Pp. 387

Simon Mayo’s first novel for adults concerns a relatively unknown incident about a massacre at Dartmoor Prison where American sailors were being held in 1815 after the end of the three year-year conflict between the United States and Britain. The peace had not yet been ratified and there were thousands of prisoners of war crammed into Dartmoor, frustrated, angry and turning to violence. This much is true, and the novel is packed with solid descriptions of prison life: crowded bunks; appalling food; general boredom; thoughts of escape and political intrigues; and the constant backdrop of fear and danger.

Inspired by true events, the detail is precise including the initial march to the prison, the labour of snow-clearing, the smallpox outbreak and vaccinations against it. The sailors are segregated by choice, with the black sailors in Block Four, where they sing gospel songs and perform plays which they take very seriously. King Dick ‘rules’ Block Four, and the Rough Allies attempt to rule the rest, with violence and intimidation.

Sixteen-year-old Joe takes on the role of Juliet in Romeo and Juliet that is to be performed with great passion by the inmates of Block Four, although they bowdlerize the text. The kiss between the lovers is fraught with danger partly due to the homosexuality (punishable by flogging and further brutality) and also because Joe is white, while Romeo, played by Habakkuk (Habs) Snow is black. The title of the novel is taken from the opening scene of Act Three of Romeo and Juliet, and here implies but the growing unrest in the prison, and the illicit feelings that Joe and Habs develop for each other.

Highlighting the theatrical elements, the chapters are divided into Acts, some scenes are presented as scripts, and there is a list of characters at the beginning. There are many characters and they are not all fully formed with some aspects that could have made great stories relegated to mere subplots, causing the novel to read a little like the first draft of a film-script, albeit in a well-defined setting.

No comments: