English
gardener, broadcaster, TV presenter, poet and journalist, Alan Titchmarsh, has
written a novel. Sticking to the advice of ‘write what you know’, he has set it
in the glamorous world of TV gardening shows, and the stereotypical gender roles
of the 1980s. Apparently
gardeners are sexy these days and a valued staple of any TV station’s talent.
From the lights of the studio to the marquees of the Chelsea Flower Show, it’s
full of bitchy gay presenters, man-eating female news reporters and division of
women into the categories of young, attractive and nubile or old, fat and ugly.
There are plenty of adjectives, and a couple of jokes, but none of them are
original. According to a quote on the jacket, Jilly Cooper found it ‘absolutely
charming... made me understand a lot more about men.’ I sincerely hope not.
Rob MacGregor becomes TV’s latest
sex symbol, which alienates quite a few people, including the expert he
replaces and his girlfriend, an investigative journalist. We don’t learn a lot
about her. Women are invariably described by their appearance and how it fits
the male gaze. “Miss
Menopause. No one’s ever seen her legs. Greenhouse expert at that difficult
time of life.” “Hair the colour of marmalade and the face of a Welsh cob.” “Monstrous
limbs he gazed upon now, which made the Michelin man look anorexic.” The socially-acceptable
attractive women don’t fare any better, and pretending to be writing from the
character’s point of view does not excuse the crude and leering sexism, not
least because we learn way more about a character’s appearance than their
actual character. “The neatly tailored matching jacket was open wide enough for
Frank’s all-invading eyes to notice that underneath her ribbed turtle-necked
sweater was a perfect pair of breasts.”
Class
distinctions are also broad and satirised at the most basic level. Roofing contractors
obviously have “an East London accent, with more than a hint of the cowboy
about it”. The cheerful cleaning lady drops her aitches as she muddles her
metaphors. The speech of these characters is rendered phonetically, while all other
accents are unremarked upon.
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