Friday Five: Books Read in August

Once again it turns out that I have (conveniently for blog purposes) read five books in a month. These are they.

5 Books Read in August:

1. Chatter: The Voice in Our Head and How to Harness It by Ethan Kross (Vermilion) - We all have voices in our head; some supportive and encouraging; others belittling and disruptive. Kross provides pop-scientific reasons for why and which ones count. Talking to ourselves and others can be beneficial to help us distance ourselves from traumatic experience, but it can also lead us into a vicious cycle of repetition, particularly in the echo chambers of social media. This book presents ways to normalise and contextualise confronting events and suggests methods that enable us to take back 'control'. Easy to read and with a practical 'toolkit' of strategies, this is recommended for anyone struggling with daily overwhelm. 
2. Cow by Susan Hawthorne (Spinifex) - A sublime book of poetry inspired by the humble (or scared in some societies) bovine beast. From ancient aurochs to nursery rhyme moon jumpers; cattle chattel of Lakshmi, the Hindu goddess of wealth and good fortune to the shape-shifting Io of Greek myth who became a white heifer due to Zeus' lust and Hera's rage, there are cows, "at the edges of every known world/ like it or not we are everywhere."
3. The Club: Johnson, Boswell and the Friends Who Shaped an Age by Leo Damrosch (Yale University Press) - Named one of the ten best books of 2019 by the New York Times Book Review, this is the story of the phenomenal London club, established in 1764, and the men (and it was only men) who comprised it. It was established in a tavern and was the meeting place of writers, thinkers, economists, philosophers, artists, actors, playwrights, politicians, historians, lawyers, doctors, musicologists, poets, clergymen, botanists, chemists, scholars and statesmen - a who's who of the mid-late eighteenth century. Told mainly through the eyes of James Boswell (he wrote a lot), it captures the characters and the events of the times, such as the cultural climate and political happenings, but, "Above all the Club existed for conversation: not just small talk, but wide-ranging discussion on topics of all kinds."
4. Fled by Meg Keneally (Echo Publishing) - This novel tells the story of Mary (Dabby) Bryant, who was transported to the fledgling colony of New South Wales for highway robbery. Once there, she manipulated the system as much as possible until she escaped to make her way back to  England, where she thought she had a better chance of survival for herself and her children. She is renamed Jenny Trelawney for the purposes of fiction, and while the 'real' Mary Bryant was illiterate and never wrote down any thoughts or feelings, many of the facts are true and make for an incredible historical adventure. In the Mobius strip-like way that art can unfold, Meg Keneally's father, Thomas wrote a book, The Playmaker, based on the story of the first play ever performed in Australia, with Dabby Bryant being one of the actors - this book was the basis for a play by Timberlake Wertenbaker, Our Country's Good, in which I am currently performing (as Dabby Bryant) at Canberra Repertory.
5. The Secrets of Strangers by Charity Norman (Allen & Unwin) - When a bloke marches into a café in London and shoots the proprietor, several of the patrons get caught up in the cross-fire and the ensuing hostage situation. We learn about them all individually in a highly stylised manner that makes the novel seem more like a stage play or a series of TV episodes. Among those captive in the café are a grandmother looking after her grandson, a lawyer who is meant to be defending her client in court, a former teacher who is now homeless due in part to a gambling addiction, and a waitress who is hiding in the cleaning cupboard, her presence unknown to the gunman. Their stories all wrap up neatly - everyone has to have a backstory to provide context for their actions, many of which are glossed over or shoehorned into the story as the cause du jour (coercive control; refugee experience; infertility obsession) - and the reader has very few gaps to fill, removing any tension necessary for a thriller. We also hear from Eliza, the police negotiator who is talking to the gunman and trying to secure the release of the hostages - hers is the most interesting and realistic voice in the novel. While the pace is fast enough that one does want to keep turning the pages, there are no surprises and the need to keep everything tidy and completed is distancing and unsatisfying to the point of triteness.