Friday, 23 June 2023

Friday Five: Boaty McBoatface or why we can't have nice things

RRS Sir David Attenborough
In March 2016 the Natural Environment Research Council asked the people of the internet to name its newest research ship. The ship was due to study the effects of climate change for the British Antarctic Survey, an institute dedicated to researching polar regions, and would be part of the most advanced floating research fleet in the world 

The United Kingdom's science minister, Jo Johnson, said the public naming campaign, #NameOurShip, was intended to give everyone across the UK the "opportunity to feel part of this exciting project and the untold discoveries it will unearth."

Some people came on board (sorry, not sorry) with appropriately prestigious names for the world-class research vessel, such as RRS (Royal Research Ship) Shackleton, RRS Falcon, RRS Endeavour or RRS Attenborough. Others, however, offered up less serious suggestion, such as former BBC Jersey radio presenter, James Hand who proposed the infamous Boaty McBoatface. Despite receiving ten times more votes than any other name, the vessel was eventually named RRS Sir David Attenborough.

The Duke and Duchess of Cambridge with Sir David Attenborough at the official naming ceremony of RRS Sir David Attenborough - photo credit British Antarctic Survey

Hand apologised for the entry and for causing NERC's website to crash with all the excitement about Boaty McBoatface. But the people at NERC were not at all offended, with a spokesperson tweeting back, "A bit of fun is good for us all", and noting that now millions more know about a research ship looking to address the ever-important issue of climate change. And in a move that kept everybody happy, Boaty McBoatface is the name of one of the submersibles deployed from RRS Sir David Attenborough. The advanced underwater submarine is designed to reach depths of 6,000m and journey independently under the ice in polar regions, to conduct a range of expeditions in the Arctic and Antarctic regions.

Boaty McBoatface

Meanwhile, proving that the Great British Public really can't be trusted with voting in polls (cough *Brexit* cough), other names suggested for the $288million world-class polar research vessel were:
  1. RRS I Like Big Boats and I Cannot Lie
  2. RRS Capt'n Birdseye Get Off My Cod
  3. RRS It's Bloody Cold Here
  4. RRS What Iceberg
  5. RRS Big Metal Floaty Thingy-thing

Wednesday, 21 June 2023

Warts and All: Flawsome


Flawsome by Georgia Murch
McPherson's Printing Group
Pp. 212

No one’s perfect, and the sooner we accept ourselves with all our flaws, the happier we will be. That’s according to feedback expert, Georgia Murch, who has written a comprehensive guide to becoming more self-aware and acknowledging that how we behave affects both ourselves and others around us. It’s delivered in a punchy, positive and Aussie style, and it makes a lot of sense. She writes that ‘this is a book for those who would like to stop being good enough for others, and start being themselves.’ And who doesn’t want that?

Many of our attitudes that we hold about ourselves are outdated and unhelpful. Murch points out, “We throw food out when it is past its use-by-date: why don’t we do the same for our unhealthy thinking patterns and behaviours that don’t serve us?” The important thing is to become self-aware; to notice one’s triggers and manage emotions. “It’s as simple as seeing the truth of what we do, how we think and what we say. That’s it. It’s observation without the judgement. It’s where you learn to be a beautiful mess; to be full of flaws and awesome because of them, not in spite of them. It’s seeing your humanity in all its colours and forms.” 

The word flawsome was originally coined by Tyra Banks, who was publicly criticised for the way she looked, so she embraced her so-called imperfections and created a stunningly successful TV franchise encouraging other women to do the same. If we notice what we are doing and why, we have the potential to change our response. If we observe how we react under pressure – the fight or flight response – we can learn to address the situation differently. “Fighters need to replace being right with being curious. Flighters need to replace an exit strategy with an entry one.”

Many of us are held back by the weight of expectations, which make us act how we think we should. We can also struggle with comparisons, which stop us from understanding the ‘real truth’ when we decide if something is good or bad based on relating it to others. If we base our self-evaluation on how we compare with others, “We are literally giving our sense of self over to be defined by external things and people. Others become the benchmark of our own success and happiness.” This doesn’t mean we should ignore other people or their emotions and perspectives, but we can choose whether or not to take them on board. We don’t have to agree with the other person, but we do need to listen and try to understand.

It is up to the individual alone to accept themselves for whom they really are, and this is what we have to discover. “Our challenge is to be brave; brave enough to look for our triggers and own them, and not numb ourselves to the feelings that result.” Many of our experiences and characteristics may be painful to acknowledge, and require courage to address. Murch explains that being flawsome is about accepting your flaws and understanding where they come from. Without those flaws, we would not be the people that we are, or have the knowledge and ability to try to be the people we want to be.

Friday, 16 June 2023

Friday Five: Superyachts!

Port Vell, Barcelona

In no way should this be taken as a continuation on last week's Friday Five, but that did make me think of the time we were in Barcelona and we went to Port Vell and had a vermouth overlooking the harbour and stalking the superyachts, as you do. Also, I am aware that there are only three listed here, but last week was a bumper issue with six (or even seven), so I reckon that evens out.

Superyachts in Port Vell, Barcelona

Superyachts (from left to right):
  1. Lady Moura - owned by Ricardo Salinas Pliego (sold for USD 125million in 2021) - money from teleco/media/financial services and inherited wealth
  2. Dreamboat - owned by Arthur Blank (USD 180 million in 2019 when built) - money from retail (Home Depot)
  3. Vava - owned by Ernesto Bertarelli (GBP 150 million when built in 2007) - money from pharmaceuticals and inherited wealth
Vava

While I believe that flashing that amount of cash is ostentatious, unnecessary and frankly obscene, I admit to spending a pleasant afternoon with a vermouth on a balcony looking down on these floating compensations. 

That's Martini

Tuesday, 13 June 2023

Who's Using Who?: The Muse


The Muse by Jessie Burton
Ecco
Pp. 390

The parallel stories in this novel lead the reader to wonder just exactly who is whose muse? It begins in London in 1967 when aspiring Caribbean writer, Odelle Bastien, finds employment at an art gallery, falls under the tutelage of the enigmatic co-director Marjorie Quick, and is seduced by the charms of Lawrie Scott who appears to have a valuable painting to assess. Interwoven chapters focus on the story of Olive Schloss, daughter of Harold and Sarah, who becomes involved with wannabe artist, Isaac Robles, while in Arazuelo in Spain, 1936. Isaac also dreams of being a revolutionary much to the chagrin of his half-sister Teresa who works as a housekeeper for the Schloss family and just wants to avoid trouble.

Of course the names and dates recall the Windrush generation, the Spanish Civil War and the treatment of Jews leading up to WWII. Meanwhile, there are themes of unrequited love, parent-child relationships, and the difficulties of creative women wanting their art to be taken seriously. Lots of people are manipulating each other and hiding secrets in order to score points. It all becomes somewhat messy and incoherent as the author tries to pack too much detail into her story (there is a bibliography at the back to prove she has done her research) and it doesn’t tie together very well. Although the descriptive passages are fantastically evocative, the characters are all one-dimensional and the story itself is unengaging and predictable. In both stories there is a sense of dislocation, privilege and misunderstanding, the notion of shared responsibility and mutual history, and overwhelmingly, the dangerous man trope.

Spanish landscape by Olga Zaitseva

Olive paints pictures and asks Isaac to take the credit for it, aware that her art-dealing father won’t admire it if he knows the true artist. When Isaac protests she should own the paintings, she rejoinders, “Do you know how many artists my father sells? Twenty-six last time I counted. Do you know how many of them are women, Isaac? None. Not one. Women can’t do it, you see. They haven’t got the vision, although last time I checked they had eyes, and hands, and hearts and souls. I’d have lost before I even had a chance.” Of course, this is the provenance of the painting that falls into Lawrie’s hands – there is no mystery to this novel. Olive argues, “They believe it’s Isaac’s painting, and that’s all that matters isn’t it? What people believe. It doesn’t matter what’s the truth; what people believe becomes the truth.”

The attempt at post modernism and attitudes to post-truth are as lazy as the themes of stolen art in Nazi times and the blatant dramatic irony of the impending Kristallnacht. Other descriptive aspects of the prose, however, are a highlight of the novel making the evocative images of Arazuelo in July seem like a painting. “From the hills came the dull music of bells as the goats overtook these smaller sounds descending the scree through the gauze of heat. Bees, drowsing on the fat flower heads, farmers’ voices calling, birdsong arpeggios spritzing from trees. A summer’s day will make so many sounds, when you yourself remain completely silent.” The novel is competent but the craftsmanship is on clear display.

Friday, 9 June 2023

Friday Five: Brick Wrecks


The Australian National Maritime Museum has a fantastic exhibition of shipwrecks, recreated in Lego with information about the ships, the disasters and the recovery missions. We went earlier in the year when we visited Sydney, and really enjoyed it from a number of perspectives; scientific, historic, educational and entertaining. Here are six of the best for the Friday Five.

1. Vasa: wrecked on 10 August 1628

Vasa

Vasa was brand new - the pride of the Royal Swedish Navy, their most expensive project ever. In 1628, fresh from the shipyard, she set off down Stokholm harbour, with gleaming paint and pristine sails, cheered in by crowds from the shore. She travelled about 1,300m (less than three times the distance around a footy oval), was hit by a light gust of wind, tipped over, and sank. 

The ship settled on the sea bed at a depth of 30m. Her masts stuck up above the surface, and many survivors clung to them until they could be rescued. Thirty people were killed, most trapped inside the ship and unable to escape. Vasa stayed where she sank, mostly forgotten once the enquiries and arguments about the sinking were over. Then, 333 years later, the mighty warship was raised from the depths. Today, the world's best-preserved 17th century ship draws the crowds again, at the Vasa Museum in Sweden.


Vasa was rediscovered in 1956 by private researcher Anders Franzén, using a simple grapnel hook towed behind his small boat. He'd been trolling Stockholm harbour for two years looking for it. Whenever he snagged something, he'd lower a special device to take a sample. When he finally pulled up some old black oak, he persuaded the navy to send a dive team to investigate, and Vasa was found.

Instead of investigating the vessel under water, the entire ship was salvaged. Navy divers spent two years digging six tunnels under the ship and pulling massive steel cables through them to suspend the hull in a basket. The cables were taken to two floating pontoons and gradually Vasa was freed from the mud, lifted and moved into shallower water. Vasa was so well preserved that once the gun ports were sealed, and thousands of tonnes of mud and water pumped out, the hull actually floated. So, 333 years since her first fateful voyage, Vasa 'sailed' again.


Vasa sank because someone left her gun ports open. A light gust of wind tipped the unstable ship, the gun ports dipped below the surface, water rushed in and the ship was doomed. Several issues combined to make Vasa unstable. For one, it was too fancy. The king had ordered 700 ornate carvings to decorate his prized ship, but their weight made her top-heavy. By the time these were salvaged, they were mostly all black. Scientists viewed samples under an electron microscope to work out what colours the paint would have been. They found strong, vibrant colours with lots of gold. Vasa was designed to dazzle. 


The Lego replica was design by Greg Koutoumis and Will Durkatz, and built by Greg Koutoumis, Darren Ballingall and Jordan Hocking. They write that 'the intricate works on the outside of the ship meant that there was all manner of crazy and unusual parts used. Great examples are the ice creams and micro figures. The ship had a lot of 'gold' details. Unlike the real ship, we of course can't paint Lego bricks, so we are really limited in what parts come in gold, and often we are forced to use some really unusual parts. Making the 'lions' at either end of the ship was a great example, using many parts like golden bananas, musical instruments, clips, pans and even a pair of golden binoculars!"

A fun Minifigure detail is Anders Franzén who was the 'super fanboy' who was dedicated to finding Vasa and actually recovered the first piece of wood from the ship!

2. Batavia: wrecked on 4 June 1629


Like Vasa, Batavia was on her maiden voyage when disaster struck, but had made it a lot further - to the other side of the world. Batavia left Holland in October 1628 carrying trade goods, chests of coins, building supplies and more than 340 people. She was taking them to her namesake, Batavia (now Jakarta, capital of Indonesia), where she was to buy spices to take back to Europe.

Batavia was built as a new flagship for the Dutch East India Company (Vereenigde Oostindische Compagnie, or VOC). The VOC's ships were specially built to sail to Asia and back. They were small enough to cope with the Netherlands' narrow waterways and sandbanks, but strong enough to last four or five round-trips between Asia and Europe. 


Francisco Pelsaert commanded the fleet, above the resentful Captain Jacobsz, who plotted with merchant Jeronimus Cornelisz to steal the ship and all the money. but before they could attack, the ship hit a reef at the Houtman Abrolhos islands off Western Australia. The survivors and some supplies were ferried to nearby islands, but there was little food or water. Pelsaert took the ship's longboat to the mainland to look for water, but having no luck, sailed the 3,000km to Batavia for help. 

Cornelisz seized the moment and took command of the supplies, weapons and survivors. In the weeks that followed, he and his followers murdered around 125 men, women and children. He was eventually captured by some of the soldiers he'd stranded on another island. When Pelsaert returned three months after leaving, he punished the murderers and rescued the survivors.


In the 1970s, archeologists from the WA Museum began excavating the wreck of the Batavia, and later investigated the graves on the islands. Their ongoing research into this mix of both land and underwater sites reveals more and more of this fascinating and gruesome story.


Archeologists recovered 166 sandstone blocks weighing about 27 tonnes from the Batavia wreck. The blocks had been used to ballast the ship, to help with her stability, but their carefully carved shapes showed they were clearly more than that. As they were trying to work out what they made, they came across the keystone, a distinctively shaped piece from the top of the arch. It matched drawings of the waterport, the gateway to the Castle Batavia, the home of the VOC Governor General for the East Indies. The VOC couldn't source the stone in Indonesia or the Netherlands, so they had it made in Germany and shipped out to Batavia. 

Now the archeologists knew what to aim for, but they still had to put it together. Some of the pieces were numbered which suggested how they might stack up. But many weren't, and the blocks were really heavy, so it was hard to swap them around and try different formats. The archeologists made a scale model, which was obviously much easier to play around with, and the museum featured a foam replica of blocks for kids of all ages to try out their construction efforts.


This Lego replica of Batavia was designed by Liam Tullett, Will Durkat and Greg Koutoumis and was built by Liam Tullett, Greg Koutoumis, Stephan Froden, Luke Cini and Gus McLaren. They write, "The most difficult aspect of the build were the masts and sails. Whilst using brickbuilt sails looks great, it does make them a lot heavier than cloth sails. This meant the masts had to be built using pieces with a hollow centre to allow for the addition of metal rods that run the length of the mast, all the way into the base, to keep the boat secure. For the sails I designed them using plates facing outwards to achieve a smooth, flowing shape, and allowed the sails to be slightly filled by the wind." 


"The cutaway shows the cargo on board the ship. All of the Minifigs were a lot of fun to add, there's lots of animals, funny scenes and hidden details among the chaos! You can see Commander Francisco Pelsaert talking to Lucretia Jans, leaving merchant Jeronimus Cornelisz to start planning a mutiny behind his back."

"Building the details on the back of the boat was challenging as there aren't many specific detailed elements in gold. It meant we had to get creative, using unusual elements such as crowbars, roller skates and frogs! We also used an octagonal diamond tile in Transparent Opalescent, a new and very uncommon colour."

3. Pandora: wrecked on 29 August 1791

HMS Pandora

In 1791 the Royal Navy's HMS Pandora sank after hitting the Great Barrier Reef near Cape York. She had been heading home to England after a five-month hunt for His Majesty's Armed Transport Bounty and her mutinous crew. The navy was unimpressed with the mutiny on the Bounty in which Fletcher Christian stole the ship from Lieutenant William Bligh, and didn't want other sailors to copy the Bounty crew. To show that you couldn't get away with mutiny, even on the other side of the world, it sent a heavily armed ship on a special mission to track them down.

Pandora first sailed to Tahiti, where its crew captured 14 mutineers who'd split from Christian, and learned that two other mutineers had died. Pandora then set off to find the other nine and spent nearly four months searching the South Pacific with no luck. The 14 prisoners were kept shackled in a cramped cell built on the quarterdeck, that they called Pandora's box. 

When heading for home, Captain Edward Edwards launched a boat to scout out a safe route through the Barrier Reef. They found a gap, but while manoeuvring to pick up the boat, Pandora hit a submerged outcrop of coral. The crew battled to save the ship, and did get it off the reef, but then it sank. The survivors - 89 crew, 10 prisoners and a cat - spent three days on a barren sand cay while the prepared the ship's boats for a long voyage. The they set off for Timor. Eighteen days and 2,200km later, they made it.


HMS Pandora is one of Australia's best-preserved shipwrecks. It is not a typical Barrier Reef wreck; it didn't remain stuck on the coral to be pounded to pieces by waves. Instead, Pandora's crew managed to refloat their ship and anchor it in deep water while they battled to save it. Unfortunately one of the pumps failed and they couldn't stop the water rushing in. The ship sank, virtually intact, onto the seabed, where it was gradually covered by sand. Only about a third of Pandora has been excavated. The rest remains hidden, preserved in place, saved by the sand. 

This model (designed by Darren Ballingall, and built by Darren Ballingall, Greg Koutoumis and Stephan Froden) needed to capture the various ways that the wreck was excavated archaeologically, so that each process could be observed and understood. It is built using a larger scale that is normally used. Instead of the scale used for Lego Minifigures, it is for figures that are 15 bricks in height, much bigger than the usual four blocks. Using this scale means all of the other items had to be built larger too, which took a lot of re-imagining of parts.

"Using photographs taken at the actual archaeological dig, we laid out the wreck's debris on the model just as they were found on the wreck. All of the broken bits from the wreck are rusted and crusted in coral and sea life. The divers were built to create the appearance of defying gravity, to seemingly float in the water."

4. Terror and Erebus: trapped in ice September 1846


Royal Navy ships HMS Terror and HMS Erebus set off rom England in May 1845 to search for a route around the top of North Africa into the Pacific - the fabled 'Northwest Passage' through the Arctic. In July they visited the Whale Fish Islands off Greenland, and were spotted by some whaling ships near there. It was the last time the 129 explorers, led by Sir John Franklin, were ever seen by Westerners.

More than 30 expeditions hunted for them, but few found any trace. The clues uncovered, from deserted campsites, cairns and graves, showed the ships had become stuck, frozen into the ice, in September 1846. The ships were eventually abandoned when their surviving crew set off to find help. They never made it. 


In recent years, searchers used modern technology to survey large areas, focusing on locations suggested in local Inuit oral histories. HMS Erebus was finally found in September 2014, HMS Terror two years later. Both ships are remarkably intact, but weather and ice only allow a short 5-6 week window each year for researchers to visit. There are still many mysteries about what happened to the ships and their crews, and the search for answers continues. 

Finding the wrecks answered some questions about the doomed expedition, but raised many more. Terror and Erebus were navy 'bomb ships', designed to fire heavy motor bombs over high defences on shore. They were built super-strong to cope with the recoil from their weapons, which made them perfect polar explorers, as their thick hulls could cope with the crushing ice. To make them even tougher they had iron plating added to their bows (fronts), which were also reinforced with 2.4m-thick wood. The ships were the first in the Royal Navy to have steam-powered engines and screw propellers, which drove them at speeds of up to 7.5km/h. HMS Terror had an on-board library with 1,200 books (not particularly relevant to the ability to withstand extreme pressure, but interesting nonetheless). 

Before heading north with Sir John Franklin, they'd been to the Antarctic in 1839, on the James Clark Ross expedition, which discovered the Ross Ice Shelf and the Trans-antarctic Mountains. Ross named the Antarctic volcanoes Erebus and Terror after his sturdy ships. Before setting off to find the Northwest Passage, Sir John Franklin spent six years as Lieutenant Governor in Van Diemen's Land (now Tasmania). He had a pretty tough time there. In the 1840s there was a financial depression and conflict over a new convict labour system. 

Franklin's informal style was not popular with some senior civil servants. He struggled as a politician and was recalled to Britain in 1843. Franklin accepted the Arctic expedition to try to redeem his reputation, but according to a note found by one of the search parties, he died in 1847, while the ships were stuck in the ice. He was 61 years old. The inscription on a statue of Franklin in Franklin Square, Hobart (erected in 1865) includes the quote from Tennyson's poem for the explorer:
"Not here! The white north hath thy bones
And thou heroic sailor soul
Art passing on thine happier voyage now
Toward no earthly pole ."

The Northwest Passage wasn't successfully navigated until 1903, when Norwegian explorer Roald Amundsen made it through. Eight years later, he was first to reach the South Pole. Today, tourists can cruise the route, and climate change is transforming it - in 2007, for the first time in recorded history, there was almost no sea ice in the passage at all. 


This model was designed by Ry Catania and built by Ry Catania, Jordan Hocking and Darren Ballingall, who write, "It was important to show the sense of desolation and emptiness. We decided to design the entire icescape using SNOT (Studs Not On Top) techniques, with the flat side of the bricks facing up, to create a smooth and icy surface. This technique shows the landscape to appear vast and open. Studs were instead used as texturing to produce hills, mounds, dips and cracks in the ice."

"To complement the desolate expanse of ice, both ships were designed in 'Microscale' size, using micro-figures to help provide a sense of scale and also tell a story. Building the smaller ship details in Microscale was a fun challenge, as we needed to think of different ways to utilise Lego pieces to represent objects of a smaller scale."

5. Titanic: wrecked on 15 April 1912


Like Vasa and Batavia, RMS Titanic sank on her maiden voyage. On 10 April 1912, the world's largest ship, the 269-metre-long RMS Titanic set sail on a journey across the North Atlantic from Southampton, England to New York City. RMS stood for Royal Mail Ship, as it was contracted to carry post for the British Royal Mail. 

Late at night on 14 April. Titanic hit an iceberg on its starboard side and freezing water gushed in at 7,000 litres a minute. It was designed to stay afloat if four of its forward compartments flooded, but it appears as though the iceberg opened six of them. In just over two and a half hours, Titanic sank, and 1,496 passengers and crew lost their lives. 

Titanic radioed other ships in the area, but the closest vessel that answered was RMS Carpathia, 93 km away. She arrived about four hours later and rescued the 712 survivors who'd made it into lifeboats. Titanic had only 20 lifeboats rather than the 48 needed to save everyone on board. Anyone floating in the icy ocean soon died from the cold. 

Titanic was lost, but as one of the most famous shipwrecks in the world, and star of countless books and films, she was never forgotten. Then, on 1 September 1985, a team led by oceanographer Robert Ballard and French explorer Jean-Louis Michel discovered Titanic's wreck about 600 km southeast of Newfoundland, Canada. They had been searching for over a week towing a submersible camera on a sled behind their ship. Ballard said,
"The Titanic lies now in 13,000 feet of water on a gently-sloping alpine-looking countryside overlooking a small canyon below. It is a quiet and peaceful place - and a fitting place for the remains of this greatest of sea tragedies to rest."

RMS Titanic broke in two as she sank. The bow section plummeted 3.7 km to the seabed at nearly 40 km/h, almost as fast as it had been steaming when it hit the iceberg. It hit the bottom so fast it was driven nearly 19 metres down into the mud. The stern section sank more slowly and landed over half a kilometre away.

The iron and steel wreck is slowly crumbling away and can be damaged by visiting submersibles. Archaeologists and explorers have documented as much of it as possible, to create a record before there's more damage or disintegration. 

This model was designed by Eamon Riley, Lauren Brown, Luke Cini, Will Durkatz and Gus McLaren, and it was built by Eamon Riley, Lauren Brown, Jordan Hocking, Greg Koutoumis and Adam Jones. They write,
"The bubbles coming out of the bow of the ship help to communicate the motion of the ship sinking.  
The smokestacks/ funnels of the ship are built with a method called SNOT (Studs Not On Top). This allowed us to create smooth surfaces all the way round the funnels rather than leaving studs exposed.
On the dark red part of the hull, we used different sized wedge plates and elements to replicate damage that would have occurred from colliding with the iceberg. Although the damage was subtle, it was enough to send the Titanic to its grave.
We used Minifigure legs as ventilation pipes. This element usually doesn't serve much of a purpose other than their intended design as legs for figures, so being able to use that element is quite nice."

6. Rena: wrecked on 5 October 2011


Just after midnight on 5 October 2011, MV Rena ran straight into Ōtāiti (Astrolabe Reef), a reef 27 km of the coast of New Zealand, at full speed (over 30 km/h). There she stuck, titled to one side, spilling pollutants into the sea. So began New Zealand's worst maritime environmental disaster.

The 236-metre-long Rena was carrying more than 1,300 shipping containers, eight of them full of hazardous materials, such as pesticides and strong acids, as well as 1,700 tonnes of heavy fuel oil and 200 tonnes of marine diesel.

After the grounding, up to 350 tonnes of oil escaped, plus a lot of cargo from the containers, including plastic beads, latex gloves, packets of milk powder, timber and furniture. Drifting and submerged containers became shipping hazards. By 9 October, the oil slick spread 5 km from the wreck. The next day it began washing ashore, devastating wildlife. Eventually Rena broke in half and the back part slid off the reef and sank.


New Zealand's Transport Accident Commission report concluded the Rena grounding was entirely the fault of the crew, who had altered course to try to save time. Modern technology may mean fewer ships are lost without a trace, and more crews are rescued, but shipwrecks today can have a huge impact on our environment. The Rena wreck site isn't an archaeology project (yet) but it still has lots to teach us.


The MV Rena wreck wasn't just an environmental disaster; it also had a huge cultural impact on local iwi (tribes). They were worried about the effects of the oil spill and debris on the environment, especially the health of the kaimoana (seafood) . Kaimoana is of great importance, not only for sustenance and well-being, but also culturally and ceremonially. The grounding and pollution also had significant negative impacts upon the mauri (life force) of the Ōtāiti reef. In Māori culture, people share the mauri with their local environment. They are connected and what affects one also affects the other. 

Some of Rena was salvaged, but parts of the ship are still on the reef, affecting its mauri. Local iwi feel the mauri will never be fully restored while the wreck remains on Ōtāiti, especially as it still contains pollutants that may be released. And others worry that trying to recover the wreck would cause further damage and risk lives. There is a sense that the environment is restoring itself by colonising the wreckage. 


It's a difficult issue. The mauri of Ōtāiti has been significantly diminished by the impact of Rena and by damage caused during the salvage operation, but there's no agreement on whether it's possible to restore it and, if so, how. Scuba divers say marine life is now flourishing around the wreck and tests found that Rena-related  shellfish contamination was no longer an issue. Despite the ongoing issues, in 2016, a government enquiry found that Rena could be left on the reef. 

This model was designed by Luke Cini and Will Durkatz, and builtby Luke Cini, Ry Catania and Liam Tullett, who write,
"It made the most sense to start the construction with the ship itself as we were unsure how it would interact with the brick-built water. Once the ship was complete, we were able to find a suitable wedge plate that would marry up the diagonal angle of the ship with the square-built water on the base. Having the ship on a lean also complicated the matter, as the tapering effect caused many gaps that were difficult to fill with square Lego pieces.

Once we had the main hull of the ship built, we were able to begin building the containers. This was the most time-consuming part of the build, as there was a lot of detail we wanted to include to give the shipping containers a realistic look. We got creative with various printed and shaped tiles to represent the various logos that were seen on many of the containers. It also became challenging when it was time to build containers that were on a precarious lean. We found hinge bricks came in handy to get the perfect angles." 

When MV Rena was wrecked, hundreds of shipping containers were lost overboard and not all were recovered. Ships don't have to be wrecked to lose their containers - sometimes they just fall off. In 2019, approximately 226 million shipping containers went to sea, but some didn't reach their destinations. The World Shipping Council estimates an average of 1,382 containers are lost at sea each year. 


In 1997, one such container held 4.8 million pieces of Lego. It was lost when a freak wave hit the container ship Tokio Express off southwest England, tilting it 60 degrees one way then 40 degrees back. The Lego container was one of 62 containers that fell overboard. Today, even after more than 25 years, Lego is still washing up on British and Irish beaches. This Lego was given to the museum by the Cornish Plastic Coalition. They collected it on a piece of driftwood as an educational display. I think that brings us neatly full circle. 

Tuesday, 6 June 2023

Word of the week


Malaphor - (rare) an idiom blend: an error in which two similar figures of speech are merged, producing an often nonsensical result.

The portmanteau word is a result of blending malapropism and metaphor. A metaphor is a figure of speech that describes an object or action in a way that isn't literally true, but helps explain an idea or make a comparison. You may remember learning at school in English class that a a simile states that one thing is like another thing, whereas a metaphor states that one thing is another thing. It equates two things not because they are actually the same but for the sake of comparison, symbolism, and higher marks in your third form poetry exercise. If you take the metaphor literally, it will sound pretty odd - or are there really any literal black sheep in your family?


The word malapropism (and its earlier form, malaprop) comes from the character Mrs Malaprop in Richard Brinsley Sheridan's 1775 play The Rivals. She frequently misspeaks to comic effect by using words which do not have the meaning she intends but which similar to those that do. For example, she says, "illiterate him from your memory" (instead of obliterate), "he is the very pineapple of politeness" (instead of pinnacle), and "she's as headstrong as an allegory on the banks of the Nile" (instead of alligator). 


Sheridan chose her name in reference to the word malapropos, an adjective or adverb meaning inappropriate or inappropriately derived from the French phrase mal à propos (literally poorly placed). According to the Oxford English Dictionary the first recorded use of malapropos in English is from 1630, and the first person known to have used the word malaprop specifically in the sense of a speech error is Lord Byron in 1814.

Of course malapropisms appeared in many works before Sheridan created the character of Mrs Malaprop. William Shakespeare used them in a number of his plays, almost invariably spoken by comic ill-educated lower-class characters, such as Mistress Quickly (Henry IV parts 1 & 2; Henry V; Merry Wives of Windsor) and Dogberry in Much Ado About Nothing. Mistress Quickly states at one point that Falstaff has been indicted to dinner when she means invited, and I believe she also substitutes the word erection for direction, but I wasn't game to look it up on Google as a search for Mistress Quickly erection is at best blocked by a firewall and at worst likely to corrupt my computer and send pornographic images to all my contacts.

Dogberry from Much Ado about Nothing as depicted by Henry Stacy Marks (1853)

Dogberry asks "the learned writer to set down our excommunication" (instead of communication), "Dost thou not suspect my place? Does thou not suspect my years?" (instead of respect), "Our watch, my lord, have indeed comprehended two auspicious persons" (instead of apprehended and suspicious), and "thou wilt be condemned into everlasting redemption for this" (instead of condemnation). There is a term 'Dogberryism', but although Shakespeare was an earlier writer than Sheridan (Much Ado About Nothing is from 1598), 'malapropism' is an earlier coinage than 'Dogberryism', which is not attested until 1836.

Anyway, back to malaphors (also known as idiom blends) - here are some of my favourites:
  • I'll burn that bridge when I get to it
  • A bird in the hand catches the worm
  • That's a whole new kettle of worms
  • You hit the nail right on the nose
  • I can read him like the back of my book
  • She's going to hell in a handbag
  • A stitch in time saves an arm and a leg
  • She stuck her neck out on a limb
  • You can't see the wood for the haystack
  • Does the pope shit in the woods?

Friday, 2 June 2023

Friday Five: Books Read in May

  1. Kehua! by Fay Weldon - "Novels can no longer sit on shelves and pretend to be reality; they are not, they are inventions, suspensions of reality, and must declare themselves as such." Fay Weldon's post-modern novel has layers of overlapping stories and lashings of authorial intrusion as she addresses the theory that we are all haunted by ancestral echoes and that we ourselves are the ghosts of the future. The eponymous kehua are Māori spirits who follow their kin across the world to bring them home where they belong. Which is why they end up in a basement in London while a great Greek tragedy plays out in Highgate. Peopled with a host of unlikeable characters and sweeping family dynamics, it's dramatic and clever and archly self-referential.  
  2. Duende: A Journey in Search of Flamenco by Jason Webster - Flamenco is more than just a dance; it's a spirit, a passion and a way of life. Jason Webster tries to seek it out in this travel memoir through Alicante, Madrid and Granada. The blood-pumping adventures he undertakes en route teach him something about the duality of being in simultaneous ecstasy and despair, as he realises that flamenco means something different to everyone. From gun-toting gangsters, faithless lovers, sadistic guitar teachers and coked-up car thieves, he encounters many versions of the art, while trying to find his authentic self. It's certainly got flair.
  3. Homage to Barcelona by Colm Tóibín - A companion to George Orwell's Homage to Catalonia, Tóibín writes with insight and rich detail about the history and appeal of Barcelona. It was a pleasure to read while actually in the city and to recognise the landmarks and the peccadilloes of the people, as he darts down twisted alleyways of linguistics, art and politics, leaving the reader breathlessly struggling to keep up. Although originally published in 1990 (when he hoped the Barcelona Olympics wouldn't have a detrimental effect on the city), it maintains contemporary relevance. As a cautionary note, it must be mentioned that it borders on the academic and is a series of serious essays that should be approached as an educational study rather than as an armchair travel book. 
  4. How to Kill Your Family by Bella Mackie - In my defence, I wasn't reading it as an instruction manual! This is fun, sharp and darkly comic, apparently inspired by the Ealing comedy Kind Hearts and Coronets, which I've never seen. The antihero seeks revenge on her family after she learns her father wanted nothing to do with her or her mother after he knew of her existence. It's written in conversational tone by a narcissistic bitchy narrator who looks down on everyone else, although she's the one in prison. It's not a mystery as such, because she tells us from the beginning how many murders she has committed, but there is still an unexpected and well-plotted ending. Great macabre fun.
  5. The Sisters Brothers by Patrick DeWitt - This month's family book club book chosen by My Cousin Rachael. Two brothers are hired as hit-men to bump off a goldminer who has worked out a formula for finding more of the precious metal more easily. Their travels take them across Oregon in a Wild West picaresque series of events that recall Mark Twain crossed with Cormac McCarthy. Shortlisted for the 2011 Booker Prize and made into a 2018 film (starring John C. Reilly and Joaquin Phoenix), it seems like a deceptively simple and straightforward stoic narrative but there are nuggets of profound existentialism if you dig deep enough.