Continuing the theme of the last post about the Simple to Sumptuous exhibition, I've been writing more poems.This one was inspired by the fine examples of leather-bounds volumes. Leather was the most popular binding until the nineteenth century with domestic farm animals being used for every purpose available. The leather was treated with salt to produce a creamy white colour, very popular in Germany, whereas vellum was treated with lime.
The raised bands are due to the thick leather being sewn, and the corner pieces and raised studs are to protect the leather from rough surfaces. In many instances the dyed leather with a simple border framing the open space caused the primary ornament to become the natural grain and texture of the leather.
All of this got me thinking about the Enclosure Acts between 1750 and 1860, during which 21% of common land in England was enclosed by the landowners. Farmers moved to urban areas and began taking labouring jobs for wages. Marxist economists believe that this was the beginning of the proletariat and capitalist social relations.Which naturally led me to think about George Orwell and his famous last lines of Animal Farm; "The creatures outside looked from pig to man and from man to pig, and from pig to man again; but already it was impossible to say which was which." And so I wrote the following:
Enclosure
Domestic farm animals:
Calf; pig; sheep –
Thoroughly used for meat to eat
And hide to hide
The words of wisdom
Or otherwise
Contained within.
Treated with salt
To preserve and render
Tough but tender,
The creamy white hue is
Popular for palimpsests,
Kept from rough surfaces
By raised bands and studs.
Natural grain and texture
Is the primary ornament.
The simple border encloses
An open space,
Valuable to owners of
Domestic farm animals
Without the common
Drifting to town from forbidden acres
The country folk become
The man on the street, while
Landowners make laws with learning.
Noses in books they are
Hard to tell apart;
Clean and clever animals.
