There is little danger
that we shouldn’t see this couple as dreamy but slightly damaged. Ella is “Dressed
in loose black running shorts and a fitted white tank top, she was all long
legs, curves and tousled blonde hair.” To be fair, Saul is equally objectified.
“Even though he wore a loose royal blue shirt, as she drew near she had trouble
looking away from where the cotton pulled tight across his biceps.” Ella has a
lot of trouble looking away.
For some reason – there would be
no book otherwise – they decide they will only cause more heartache if they
fall in love, so they try so hard not to. It is a hardship for us all. With
supposedly selfless passion, Saul wants Ella to be happy, even if this means
not being with her. She cuts her hair to try and see if he will still be
interested in her when she’s got short hair – which is, of course, beautiful. Yes,
it really is that superficial. While the author falls over herself trying to
explain how they are so noble and altruistic, they are incredibly
self-absorbed, to the point that Ella seems to think everyone is studying her
so closely they remember what she looked like the last time she wore a certain
dress. “Bethany had already once remarked that she looked different and it hadn’t
been due to her haircut… She’d wear something no one had seen before to mask
anything else that could appear different.”
The book makes an effort with the
setting – the town of Woodlea near Dubbo, NSW – and it’s all red earth and dusty
boots in the outback. There are bush dances and rodeos; country weddings and
hay bale competitions; beer nights and convoys of hay runners; snake bites and
sick horses. It is very hot and dry verging on drought and this conveys a soupçon
of atmosphere. There are lots of characters in the book but they have no individual
features and are impossible to tell apart; sometimes it’s even difficult to
know if the characters are human or animal.