Friday Five: Lord Love a Lefty

Today is not only Friday 13th, but also International Left-Handers Day. Him Outdoors is a left-hander. He tells me that the world is set up for right-handers and that he faces challenges using everyday implements such as scissors, corkscrews and can openers. He is of the generation who were rapped across the knuckles when they wrote with their left hand, so he tried to write with his right. He is also of the generation that used fountain pens, and they are notoriously difficult to manage for those of the sinister persuasion (not my word; it's Latin!).

Barack Obama is left-handed

I admit I have not always been sympathetic, but maybe this is a case of my unconscious bias. Apparently anywhere between 7-17% of the global population is left-handed (depending on what you read) and their struggles are real. Take that comment above: the Latin for left is sinister and the French is gauche. Not very nice, is it? Especially when the relative words for right are dexter and droit, from which we get dexterity and adroit. Linguistics tells us it's right to be right. 

In their effort to counter the negative connotations, left-handedness has often been suggested to denote intelligence and creativity. Sadly there is absolutely no scientific proof for this and there is no difference in IQ levels after studies have been completed. There may be a link between a left-handed dominance and verbal skills, but this is not fully explored or understood. With Bill Gates, Mark Zuckerberg, Steve Jobs and Oprah Winfrey all being left-handed, there may also be a link between left-handedness and being rich, or maybe that's just a determination to overcome adversity and make the world conform to you, rather than the other way around.

5 Facts About Left-Handedness

1. There is a town in West Virginia, USA called Left Hand. Apparently it was named after the nearby Lefthand Run Creek. And in a 'take that' moment, there is no equivalent town called Right Hand.
2. The Australian children's entertainment group, Hi-5 uses a left hand in their emblem - one of the cast, Tim Maddren, is a left-handed musician who plays the guitar, piano, trumpet and 'a bit of drums'.Other famous left-handed guitarists include Paul McCartney, Jimi Hendrix, Kurt Cobain, Courtney Barnett, and David Bowie, although the latter taught himself to play right-handed due to the fact that there weren't enough left-handed guitars in shops in post-war Britain.
3. Maybe it's because Australia is down under, but kangaroos are left-hand dominant, and all Australian sulphur-crested which cockatoos are left-handed (clawed)? I read this fact but I have yet to test it out - I'll note which talon the cockatoos use to throw tree debris at me next time I'm passing. 

4. This year the Dutch Reach method was introduced to the Highway Code in the UK. It is a method of opening a vehicle door that sees the driver use their hand furthest from the handle to open the door (in the UK this would be the left hand), therefore turning their body and allowing them to see oncoming cyclists before opening the door. The Dutch have been using this method for many years, but they just call it 'opening the car door'. Last year there were 140 cycling fatalities in the UK, and in 2007 (the last year for which I can find the figures for this) 8% of serious injuries to cyclists were caused by dooring (opening a motor vehicle door into the path of another road user). 
5. It is illegal to play polo left-handed - this is to do with reasons of safety, apparently for both horse and rider. Even princes are not exempt; the Prince of Wales and the Duke of Cambridge are both left-handed.

Left-hander Prince Charles playing polo with his right

War Artists

War is ugly and brutal. It is messy and destructive. But it also inspires creativity - from scientific, technological and medical inventions and developments to great art and culture. War artists are fascinating as they capture and portray moments in the heat of battle that inform and inspire those who weren't there. Of course this can be propaganda; slanted in whichever direction is required to get the desired message across. They highlight situations and individuals and hold them in an artistic embrace; imbuing commonplace events with eloquent significance.

Some time ago I went to the Australian War Memorial and enjoyed some of this sensational art. Here are some of my favourites in very different styles.

Moresby Picture Show (1943) by Charles Bush

Light entertainment provided a necessary distraction from the hard jungle fighting and difficult living conditions in New Guinea. In this work, a vibrant Disney cartoon is oddly set in a war zone and contrasted against the drab green of the mountainous tropical landscape. The searchlight in the distance is a subtle reminder of the war. 

The weight and weariness of the soldiers in the foreground are contrasted with the lightness of subject and the luminosity of the Disney character projected on the screen. The figures stand stoically still in the drizzling rain and uncomfortable conditions, enjoying the simple pleasures of the light entertainment. Each silhouette is unique, and the distinctive Australian slouch hat can be seen on the figure on the far left of the picture.

The tropical climate of New Guinea presented soldiers with harsh conditions for both combat and general living. Most were not accustomed to the high humidity, let alone the inhospitable jungle and terrain. Those stationed at Port Moresby would have greeted the screening of films with much anticipation, welcoming any distraction from the realities of day-to day living in New Guinea. Such events also provided the artist with atypical subject matter and an opportunity to record less grim aspects of wartime activity.

Hospital Ward, Burma-Thailand Railway (1946) by Murray Griffin

This work pictures Australian prisoners of war who were forced by the Japanese to build the Burma-Thailand railway. The artist depicted the atrocious conditions in the labour camps based on eyewitness reports by survivors. Griffin's use of light and shade in this work accentuates the physical condition and obvious suffering of the men as they struggle to survive malnutrition and disease, as well as drawing comparisons to the depths of hell. The skeletal men are barely distinguishable from the makeshift bamboo shelter. 

Griffin was serving as an official war artist in Singapore when it was captured, and became a prisoner of war in Changi. He originally volunteered to go to the railway, thinking conditions might be better, but gave up his spot for another man and remained in Changi for his entire captivity. Griffin was appalled by the condition the men returned in from the railway, and sought to make records of events and conditions that occurred on the railway from survivor testimony.

Bomber Crew (1944) by Stella Bowen

On 27 April 1944 at RAF Station Binbrook in Lincolnshire, Stella Bowen drew studies for a planned group portrait of a Lancaster Bomber crew, comprising six Australians and one Englishman, of no. 460 Squadron. This was the most highly-decorates Australian squadron in Bomber Command, but had suffered the highest casualties. Bowen was commissioned to paint a typical crew that flew Lancaster bombers on the intense bombing raids over Germany and occupied Europe. Preoccupied with their flight preparations, the men expressed no particular interest in Bowen's attempt to draw them, but their bravery, youth and vulnerability captivated the artist.

The next day the crew was reported missing, presumed dead: only Pilot Officer Thomas Lynch survived. Bowen completed the group portrait from sketches and official photographs. She wrote, "It was horrible having to paint the picture after the men were lost: like painting ghosts."The crew is depicted in front of the menacing image of their Avro Lancaster bomber, looming above them like a bird. They are shown wearing their full flying gear including 'Mae West' life jackets, flying helmets and headphones. Their names appear on the helmets and are repeated on the wreath-like ribbon that scrolls across the canvas, complete with their RAAF wings floating like cherubs.

Flak Busters (1945) by Dennis Adams

Australian Beaufighters of No. 455 Squadron, based in Norfolk, England, attack a German minesweeper off the coast of Norway. They co-operated on many shipping strikes with a New Zealand Beaufighter Torpeo Squadron (489 Squadron RNZAF). In those attacks the Australian aircraft came in and fired both rocket projectiles and 20mm cannons. The ship 'saturated' by this fire would then be attacked by the torpedo Beaufighters.

During the Second World War, Australian artists frequently drew on various modern art movements to form chaotic and jarring compositions that interpreted weapons and machines, military life, and the visual experience of battle. One such influence was the literary and artistic movement known as futurism. It developed in Italy, where it was active in various incarnations from 1909 to the 1930s.

At its core futurism celebrated the machine age. Its adherents wanted to renew cultural and artistic ideas to reflect the strengths and dynamic nature of machines and life in modern cities. In general, futurist works of art emphasised movement and dynamic tension between typically geometric pictorial elements. In this image the artist paints the ship overwhelmed by a barrage of repeated explosions and jutting shafts of water and light.