- Aftersun: Daughter revisits camcorder memories of a teenage holiday with her young dad. Tender by Blur is on the soundtrack and sums up the film. ⭐️⭐️⭐️1/2
- Catherine Called Birdy: I've not seen many medieval comedies, but I'll bet this one is right up at the top of the list. Written and directed by Lena Dunham, based on a novel by Karen Cushman, and featuring Bella Ramsey (I've not seen her before but apparently she's known from Game of Thrones), Billie Piper, Andrew Scott, Joe Alwyn, Sophie Okonedo, Lesley Sharp, David Bradley, Russell Brand and Ralph Ineson (amongst many others), it is part touching coming-of-age tale; part deliberately anachronistic feminist take; complete and utter delight. ⭐️⭐️⭐️⭐️⭐️
- To Leslie: Money doesn’t buy you happiness but it does buy you alcohol and that leads to everything but. Andrea Riseborough gives a sensational Oscar-nominated performance as the woman who won the lottery and drank away her winnings; Marc Maron as Sweeney is her knight in shining overalls who withholds judgment long enough for her to try to forgive herself and make a plan for the future. ⭐️⭐️⭐️⭐️
- Wolfwalkers: Glorious animated fantasy adventure (An international co-productionled by Cartoon Saloon and Mélusine Productions) with folkloric, magical, supernatural, pagan and historical overtones about the destruction of the environment and the consequences for co-habitation with nature. Delightfully drawn with beauty and precision; perfectly voiced including the voices of Sean Bean, Simon McBurney, Honor Kneafsey, Maria Doyle Kennedy, and Tommy Tiernan. ⭐️⭐️⭐️⭐️1/2
- Women Talking: But, as is so often the question, is anyone listening? Powerful subject; great cast; devastating dialogue well delivered. Would make a terrific play with the right direction. ⭐️⭐️⭐️⭐️1/2
Friday, 26 May 2023
Friday Five: Films on a Plane, The Return Leg
Tuesday, 23 May 2023
Deceptively simple or just a little bit naff? The Travelling Cat Chronicles
Translated from the Japanese by
Philip Gabriel, this novel (first published in 2015) had reviewers gushing that
it was gentle, wise, witty, beguiling and full of simple but deceptive prose. I
didn’t realise I was quite so cynical, but I have to wonder, is it deceptive or
just simple and is it really profoundly charming or just a little bit naff?
The novel is
mainly narrated by Nana, a cat named after the Japanese word for seven, which
is considered to be lucky and the shape of the cat’s tail. Nana was a stray cat
who was nursed by Satoru after being hit by a car. In return, Nana lives with
Satoru and gives him affection. When Satoru knows he is dying, he wants to make
sure Nana has a happy home so he sets off on a road trip to visit possible
adoptive homes and friends.
These travels give Satoru an opportunity
to spark memories and reconnect with old friends. He and Nana meet Yoshimine,
the brusque and unsentimental farmer who thinks cats are just for catching rats,
Sugi and Chikako, the warm-hearted couple who run a pet-friendly B&B, and Kosuke,
the mournful husband whose cat-loving wife has just left him. In the pages
concerning Kosuke, the point of view switches to the third person omniscient
narrator who tells us about the boys’ friendship and how they bonded with a cat
called Hachi (which means eight) when they were both in elementary school.
When we see Nana’s
perspective he instructs us on cat behaviour, such as why they like cardboard
boxes rather than special beds and toys. Nana doesn’t understand certain human idiosyncrasies
including their fondness for the sea, and he also questions their need to
concern themselves about burials and cemeteries. “When an animal’s life is
over, it rests where it falls, and it often seems to me that humans are such
worriers, to think of preparing a place for people to sleep when they are dead.
If you have to consider what’s going to happen after you die, life becomes
doubly troublesome.”