Showing posts with label Canberra. Show all posts
Showing posts with label Canberra. Show all posts

Tuesday, 28 July 2026

Mental Health and Nature: Jennifer Adams


I have always maintained that getting out into nature is a perfect (and usually free) way to improve mood and general mental health, so I was really pleased to see this exhibition at Belco Arts that propounds the same theory. 


Jennifer Adams has a long term mental health disability and has been painting for over twenty years. The catalogue notes, "Mental Health treatment is often viewed as a clinical activity, taking place within four walls. This exhibition challenges that narrow view to see our experience of nature as vital for mental health."


It continues, "This exhibition is her first solo in more than ten years. In ths exhibition, Jenny has the freedom to celebrate nature experienced locally in Canberra, in nearby farmland that has been returned to its natural environment and in other locations around Australia."


"Jenny has a distinctive approach to her subject, drawing out shapes, adding vibrant colours and decorative elements, to express her response to the natural world... The exhibition is designed to be experiential, so that the viewer is wrapped around by the colours, designs and positive imagery of the art displayed. This way a viewer can immerse themselves in the way Jenny appreciates the natural world for her own mental health."



I enjoy the vibrancy of these images, and the calming feeling of the greens and blues of the water.  I would happily hang one of these on my walls, but am equally happy that the rash of red dots below the artworks means that they have already been sold.

Friday, 15 November 2024

Friday Five: Paintings by Sally Black

Sally Black is a visual artist in Canberra, producing works on paper with water-based mediums such as watercolour and ink. We saw her work at Strathnairn and I like seeing the familiar landscapes rendered afresh in her paintings.


She creates landscapes in monotype printmaking techniques with watercolour inks that push towards abstraction. She is also known for her pen and watercolour sketches, which detail everyday scens with unusual perspectives and distortions.

Shepherd's Lookout- study
Gruner's  Abstracted

Sally has an interest in exploring the deep connections to the landscape both form her perspective as an artist, and the connections landholders have to their properties.

Friday, 14 April 2023

Friday Five: Anniversary Dishes

For our anniversary we went to have dinner at The Boat House - great recommendation from friends when we suggested we wanted something a little bit fancy but not pretentious or intimidating. We had a set four-course meal for an expensive but reasonable price, and some of the dishes are photographed above. They include:
  1. Burnett Heads tiger prawn fennel, zucchini, macadamia milk
  2. Dry aged duck breast fig, radicchio, mushroom & duck sausage
  3. Slow roasted pork belly fermented blueberries, butternut, parsley
  4. Humpty Doo barramundi fumé, cherry tomatoes, squash
  5. “Little Joe’s” scotch fillet gem lettuce, potato dauphinoise, pepper jus
  6. Thai basil vacherin yuzu ganache, passionfruit, finger lime
  7. Raspberry sorbet yoghurt mousse, white chocolate, Davidson plum

Back at home we had this delicious 2010 Dolce Vita from Valli that we bought before we left New Zealand and have been saving for a special occasion. I think 21 years of marriage deserves that celebratory status.

Tuesday, 26 December 2017

Love is Stronger than Fear. Kindness is Stronger than Greed: SIEVX Memorial

On the grounds of Weston Park where the hill slopes down towards Lake Burley Griffin, 353 painted poles dot the ground in what appears to be a random structure, but turns out to be anything but. Each one represents a life lost in the sinking of a boat crammed full of refugees that has come to be known as SIEV X. At the height of the Federal Election Campaign in October 2001, the dawn rose on what one survivor referred to as looking 'like birds on the water'.

 

The acronym SIEV stands for Suspected Illegal Entry Vessel. It was the tenth unknown vessel the navy had intercepted (hence the X), packed with refugees from Saddam Hussein's Iraq. Many of the passengers were women with children who had been travelling for years and to try and find a safe place to live; some attempting to join their husbands who had already gone ahead to Australia, only to be caught in the changing political tide and locked in detention or a newly devised Temporary Visa system which took away their rights to re-unite. Left without support, these mothers and young children were easy prey for people smuggling operators.

Armed Indonesian military supervised the boarding of the boat and a patrol boat escorted it from the port of Lampong. Crowded onto a fishing boat only 19.5 metres long, packed so tightly that teenagers had to climb on the roof and mothers hold children on their laps, the passengers were terrified even before they left port. The design of the poles is laid out to represent a procession of boats and the tiny size of the vessel itself.






There were forty survivors, but 353 souls were lost, either in the original sinking or in the 20 hours spent in the water waiting for fishing boats to come to their rescue. Each pole remembers one person who died; the smaller poles for children and the larger poles for adults. They were created by over 300 schools, churches and community groups, across Australia. 

Images include rural, city and desert landscapes, native flora and fauna, and heartfelt poetry. Some of the names are known, but many aren't, and the effect of reading 'Unknown boy', 'Unknown baby', 'Unknown mother' on a plaque on the pole is incredibly poignant.


Ahmed Diya Al Saadi (Aged 6 months) - Ali, Ghazi, Mohammad, Vanessa and Sue, Perth, WA
Naima Jawad, aged 31, by the students of Bateman's Bay HS, Bateman, NSW
Rem Haidar, aged 4, by The Students of St Patrick's College, Prospect, TAS
Ahmed Al Alawy by Port Melbourne Uniting Church

This is a memorial and the thousand or so Australians who created it, many of them children, are paying their respects to those who lost their lives while seeking anew life. It is also, despite denials, a political statement. On the calm sunny shores of the capital's lake it begs to question how this tragedy happened and to attempt to ensure that it does not do so again. It is calm and peaceful, but it is a protest, and one which it is hard to ignore. An information panel alludes to these sentiments.
"You may feel the sadness of such an end for these families, and the grief of those fathers and husbands detained here in Australia, unable to help or protect them. But please also feel the hope and promise that young Australians cared so much to create this beautiful memorial." 

The intention of the SIEVX Memorial is to affirm that these lives are sacred; we will not forget them. It is beautiful, haunting and very powerful. It suggests that Australia is not a country defined by fear and greed. 
"Love is stronger than fear. Kindness is stronger than greed."