Friday, 30 October 2015

Friday Five: Artistic Expression

I stumbled across an exhibition at Belconnen Arts Centre called Landscapes of Decay. It features work by artists from a collective called Random9. Working in a range of mediums, they use this exhibition to explore the influence of disintegration. The exhibition is curated by Liz Taggart-Speers, and the following statement is quoted in the catalogue:
"Disintegration is a subtle whispering, a barely realised theme of everything in life. It is as finely woven into the textures of humanity as birth, creation, war, sex and love." 
As our world continually decays, erodes and transforms, we have an artistic desire to capture the ephemeral nature of our existence. Despite the expression 'as old as the hills', landscapes are impermanent. Their living nature makes them vibrant and precious, and the ability to transform with time inspires these artists to attempt to capture their essence.

From the trees branching out of seats of learning in Dianne Libke's sculpture (the dictionary supporting the found wood are enclosed within a bell jar, preventing them from access to oxygen and carbon dioxide), to Camallie Guest's black and gold pigment wash and charcoal image of a peacock with feathers named for disasters caused by human intervention, the implications of the artwork are there for the viewer to interpret. I imagine that the latter with its colour scheme of the images painted for posterity onto Greek vases and the like juxtaposed with the stereotype of shrieking vanity suggests we should be ashamed of having caused such destruction to humanity and the environment.

Melinda Brouwer's ceramic boulders remind me of the peculiar rock formations in Tidbinbilla, or the Snowy Mountains. Her work investigates the changes caused in the environment by weather, seasons and the passage of time. Similarly, Naomi Somerville's cold-worked cast glass hints at melting polar ice and all the consequences that entails.

Meanwhile, although the word 'decay' has such negative connotations, Maria Klingner sees a more positive message in transformation and ageing, representing the ups and downs in the rhythms of a baby's heartbeat, captured in a piece of jewellery. She says she likes to examine 'the dynamic connection between adornment, creative expression, daily rituals and embedded memory'.

Five Pieces of Artwork from the Exhibition, Landscapes of Decay:

Memento Senescere... To Grow Old (2015) by Dianne Libke
Promenade of Failed Ideologies (2015) by Camallie Guest
Untitled (2015) by Naomi Somerville
In Utereo (2015) by Maria Klingner

Boulders (2015) by Melinda Brouwer

Friday, 23 October 2015

Friday Five: Birthday weekend

It's not a 'big' or a 'significant' birthday, but I believe in celebrating them anyway. Any excuse for a good meal and/or a get-together with friends should not be missed. Him Outdoors and I are both exhausted after a very busy couple of weeks and moving house. More than half of our belongings are still in boxes, and we might have spent the weekend sorting things out, but that didn't appeal, so...



Five Things I did for my Birthday Weekend:
  1. A blind gin-tasting. It turns out that my favourite gins are the most expensive ones. Who'd have guessed that?
  2. Breakfast at Rocksalt, Hawker - smashed avocado, whipped feta, and poached egg on rye toast, since you ask
  3. Celebrate the christening of the child of friends - it's on the same day as my birthday and sharing the love in the arms of tradition and community makes me happy
  4. A bike ride, sussing out our new location, past vineyards, rolling hills and the river gorge - and not a single magpie swoop
  5. Invited a bunch of friends round to our new house for home-made pizza and drinks on the patio: houses need cats, conversation, company and laughter to make them complete

Wednesday, 21 October 2015

How can you be sure: The Invisible Gorilla


The Invisible Gorilla and Other Ways Our Intuition Deceives Us by Christopher Chabris and Daniel Simons
Harper
Pp. 242

If you were watching a basketball game on television and a person walked onto the court in a gorilla suit, you’d notice, wouldn’t you? Even if you were concentrating on counting the number of passes executed by one of the teams? Apparently not. In a now-famous survey conducted in 1999 by Christopher Chabris and Daniel Simons, half of the subjects didn’t ‘see’ the gorilla, although 75% swore they would have seen it if it had been there. The fact that it was, and they didn’t, has led the two experimenters to investigate the human limits of concentration and assumption of knowledge and ability.

It’s not good news for anyone who talks on a mobile phone (hands free or otherwise) while driving. We only have a limited amount of attention, and if we split its focus, then we are not able to perform either task to full competence.

The book is subtitled ‘And other ways our intuition deceives us’, and these ways are many and varied. Generally we think we are smarter than we are, and the less ability we have, the more confidence we have in it. This illusion of confidence extends to others, as we are more likely to trust someone who expresses absolute certainty, than one who consults their colleagues and considers their opinion. 

This illusion of confidence ties in to the illusion of knowledge, by which we think we know more about a subject than we do. We understand many things on a superficial level, but not at greater depth, because we don’t have to. We may all think we know how a bicycle, a zipper or a toilet works, and this comprehension carries us through life quite adequately. But do we really know how such things operate? Try explaining it in detail and, unless you have had to fix one, you will probably soon come unstuck.

We are also under the illusion that technology is all-powerful. This is evident in examples of people blindly following sat-nav directions until they end up hundreds of miles from where they intended, or in the sea. “Technology can help us to overcome the limits on our abilities, but only if we recognise that any technological aid will have limits too. If we misunderstand the limits of the technology, these aids can actually make us less likely to notice what is around us.”

Part of this confidence trick is the use of ‘neurobabble’, in which scientific terminology is used to lend dubious theories the ring of authenticity. We have long been seduced by talk of the brain’s functioning power, and the myth that we only use 10% of its capacity is commanding. There is a widely-held belief that listening to Mozart makes us more intelligent, and although we like to think we could get smarter by doing nothing, there is no scientific basis for this illusion of potential.

And then there is the illusion of causality: people tend to find the link that suits them, even if there were other factors which have a more influential bearing on the incident, hence conspiracy theories. Because we can relate to the personal rather than the general, we are far more likely to believe an isolated anecdote from a person we know than banks of statistics.

The Invisible Gorilla suggests that we are constantly being duped – often by ourselves – and asks us to question our emotional responses. It’s not so much that everything we know is wrong, as that we don’t know nearly as much as we think we do.

Friday, 16 October 2015

Friday Five: Mornington Peninsula Beaches

It's beautiful down here. Don't just take my word for it, though. Here are some beaches:

5 Fabulous Beaches on the Mornington Peninsula
    Beach huts near Rye

Cape Schank


Sorrento


Fisherman's Beach
Point Nepean

Friday, 9 October 2015

Friday Five: Season Launch


Before anyone races to point it out, I know that there are six rather than the usual weekly five, but that's just the way it it goes. Canberra Repertory Society have announced the plays they will be producing for the next season, and I'd like to hear your thoughts. I was on the committee that helped to select the plays, so please don't be too hurtful in your comments.

One factor I would point out is that this is a sub-committee, which recommends a number of plays (15 in this case) to a committee, who decide upon the final plays - nothing is one person's opinion, and I'm sure we all know how committees work. I think each play is a good choice individually. 

6 plays in Canberra Rep's 2016-2017 Season:
  1. Uncle Vanya - Anton Chekov (28 April - 14 May)
  2. Witness for the Prosecution - Agatha Christie (16 June - 2 July)
  3. Macbeth - William Shakespeare (4 - 20 August)
  4. She Stoops to Conquer - Oliver Goldsmith (22 September - 8 October)
  5. Noises Off - Michael Frayn (17 November - 3 December)
  6. Wait until Dark - Frederick Knott (23 February - 11 March)

Tuesday, 6 October 2015

Let it Rain: The Wife Drought


The Wife Drought by Annabel Crabb
(Ebury Press)
Pp. 255

Annabel Crabb is a political commentator, an author, journalist and television show host. She examines the position of women in the workforce, the inequality of wages, and the perception of parenting in this book, subtitled, ‘Why women need wives, and men need lives’. While she makes some interesting points, all of her examples are drawn from politicians, TV presenters, writers and journalists. The debate is, therefore, heavily skewed towards middle-class professions, making it not really typical of real life for most people.

There is no question that women earn less than men on average, but the reasons for this are less clear. Often women don’t get the higher-paid jobs because they don’t have the experience – but how will they ever gain the experience if they aren’t given the job? Part of the problem is perception. Because there are currently more men in higher-paid positions, the trend is likely to continue. Another part of the problem is that the emergent workforce doesn’t see it as a problem at all, because it isn’t for them. Yet.

Firstly, there is marriage; secondly (in this model, at least), there are children. Each stage makes a difference to a person’s income and status. Until relatively recently (October 1966), legislation forbad married women from working in the public sector. Although things have changed, they are still fairly regressive in the upper echelons of the pay scales. Of the 1192 senior executives (half male; half female) who responded to a ‘Leaders in a Global Economy’ survey, three-quarters of the men had a wife or spouse who didn’t work. Three-quarters of the women had a husband who worked full-time. “The men got wives, in other words. And the women didn’t.”

Having a wife is considered an asset for a worker. Employers tend to see men with wives as more reliable, and remunerate them accordingly. “Marriage, for men, means being paid more money. The phenomenon known as ‘the marriage premium’ is recorded in many countries, and in Australia married men earn on average about 15 per cent more than unmarried ones.”

Stage two: children. “What proportion of nuclear families has a dad who works full-time, and a mum who doesn’t? Sixty per cent. What proportion has a mum who works full-time, with a male ‘wife’? Three per cent.” On the whole, due to earning capacity and public perception, it is the man who goes to work and the woman who remains at home. After all, “A mother who works is a ‘working mother’. A father who works is just a normal guy.” Crabb argues that this situation must change so that men leaving work to look after children has to become considered as normal as women doing it.

Part of the alpha-male culture which needs to change is that currently the man has to be seen to be the major breadwinner. In this corporate world, men are expected to get to the office early and leave late, and are told that weekends are for families. This isn’t the point of this book, but what about people who work in retail/hospitality – any job that isn’t a Monday-Friday; when are they meant to spend time with their family?

The book is well-argued with many statistics, but it is pretty narrow in its focus. Early on, Crabb states that she is going to boil all the arguments down into two simple and broad categories – ‘Men are awful’ and ‘Women are hopeless’ – and then address them. She proceeds to do so, but only those in a particular demographic, which (while pertinent to anyone working in politics), lessens the general nature of the argument.

Friday, 2 October 2015

Friday Five: Hair Histrionics


Last week I coloured my hair (with the help of friends). It is now red. It's taken several days to get used to it, and although I still get a bit of a shock when I see my reflection, I like it. Yes, it's different and a break from my previous look, which I've always tried to keep along the lines of 'natural' and 'subtle', but it's still me. 

I haven't changed at all, obviously, but you would think I have somehow become less human/ sensitive on account of it. While many people tell me they love it (after they have told me I've changed the colour, as if I might not have noticed) I have been amazed by the highly personal, and not exactly diplomatic comments of others.

5 Things people have said to me about my new hair colour:
  1. Wow, that's brave.
  2. Do you like it? Really? What does your husband think?
  3. What made you do that?
  4. Don't you think you should try a different shade?
  5. That can't be good for you.
So for the record, yes, I do like it. So does Him Outdoors. And that's really all that matters, as far as I'm concerned. And also, so does Niece Niamh, who sent me a text saying, "It looks very good on you." And she's the expert.